Brilliant!!! Thank you.
We have been officially denied now, with no recourse. But I do have one thing that has kept me sane. The thought that SO many people have come to my defense. It is really heart warming.
Cheers,
and the support is hugely appreciated.
Steve Iorio (and Renate).
On Wed, Jul 1, 2009 at 12:18 PM, Helen Page (JLP) wrote:
Dear Minister Kosky
I would like to express my concern over the removal of Arts Vic Funding for a "Great Australian" initiative, The Great Australian Wave.
Whilst Popkomm may have been cancelled, the GAW will and should still go ahead.
Steve and Renate of Blind Beatroot, put their heart and soul (and finances) into this initiative, an initiative which makes a powerful contribution to the promotion of Australian Music internationally. Many of the bands who have committed to touring have made many personal sacrifices and financial commitments, something which is a challenge for any musician, and not a commitment to be taken lightly.
The Great Australian Wave will go ahead in a revised format without Popkomm, and the reality is the opportunity for exposure is now even greater, with targeted show cases planned throughout Europe. This is a wonderful opportunity for the Great Australian Wave to become an independent showcase throughout not only Europe, but the rest of the world. The bond between the Australian Music and German Music Industries is a strong one and is something that requires nurturing to maintain and sustain that relationship.
I have kept this brief as I would assume you have been inundated with recommendations to reinstate the funding.
I have a great deal of faith in the Arts Funding Systems in Australia and sincerely hope that this rash decision be reversed before any more harm is done to the Australian Music Industry and to the individuals, organisations and bands involved.
Yours sincerely
Helen Page
Director
JL Music Publishing Pty Ltd
www.jlpublishing.com.au
Showing posts with label Jonathan WIlliamson. Show all posts
Showing posts with label Jonathan WIlliamson. Show all posts
Tuesday, June 30, 2009
German Promoter, support of Great Aus. Wave and The Vagrants
Date: Monday, June 29, 2009, 12:57 AM
To whom it may concern,
my name is Anja Blume. My team of popkillazz presents has worked with the great Australian band called The Vagrants for the last 2 years. We achieved a lot and the interest in the band is getting bigger and bigger.
We have heard that you pulled the funds from the project "The Great Australian Wave" since the Popkomm was cancelled. We think it is the absolutely wrong approach. All bands involved put a lot of money, time and effort into this project but not only that they put in their HOPE for a better future for their music and the general presentation of Australian music in Europe. We see the Australian music growing all around Europe. We truely believe in this concept and all the organisers of this great project and we hope you do as well.
The Popkomm would have been a great opportunity for everyone but there are more and others. We are more than willing to help and support as many showcases as we can once the bands arrive. Please rethink the issue and give your support.
With best regards, Anja Blume
To whom it may concern,
my name is Anja Blume. My team of popkillazz presents has worked with the great Australian band called The Vagrants for the last 2 years. We achieved a lot and the interest in the band is getting bigger and bigger.
We have heard that you pulled the funds from the project "The Great Australian Wave" since the Popkomm was cancelled. We think it is the absolutely wrong approach. All bands involved put a lot of money, time and effort into this project but not only that they put in their HOPE for a better future for their music and the general presentation of Australian music in Europe. We see the Australian music growing all around Europe. We truely believe in this concept and all the organisers of this great project and we hope you do as well.
The Popkomm would have been a great opportunity for everyone but there are more and others. We are more than willing to help and support as many showcases as we can once the bands arrive. Please rethink the issue and give your support.
With best regards, Anja Blume
Monday, June 29, 2009
Cousin Leonard support Great Australian Wave
Dear Lynne
I write to you as one of the few artists chosen to perform on the Great Australian Wave showcase at this year's Popkomm-Berlin, and primarily as a letter of support for two Victorian people, Steve & Renata Iorio, who I believe are doing so much good for the arts in this state.
As we all seek to define new international pathways and networks in this exiting and groundbreaking time of change, it is clear that only the brave and one hundred percent committed are going to come out of this with new business opportunities to see us into a strong and exciting future.
As Steve & Renata (Blind Beatroot and The Vagrants) are continuing to honour their commitment to the artists on this year's program, by setting up several other industry showcases in Germany at the same time, and for the enormous amount of work that they have put into the event thus far, I would encourage you to give them all the support originally promised, to ensure that the channels that they are opening up between Victoria and Europe, remain open, viable and strong.
Regards
Marty Williams
MUSICAL : PERFORMER/ PRODUCER/ EVENT COORDINATOR
www.cousinleonard.com
www.myspace.com/martywilliamsmusic
www.thingreenline.org.au
I write to you as one of the few artists chosen to perform on the Great Australian Wave showcase at this year's Popkomm-Berlin, and primarily as a letter of support for two Victorian people, Steve & Renata Iorio, who I believe are doing so much good for the arts in this state.
As we all seek to define new international pathways and networks in this exiting and groundbreaking time of change, it is clear that only the brave and one hundred percent committed are going to come out of this with new business opportunities to see us into a strong and exciting future.
As Steve & Renata (Blind Beatroot and The Vagrants) are continuing to honour their commitment to the artists on this year's program, by setting up several other industry showcases in Germany at the same time, and for the enormous amount of work that they have put into the event thus far, I would encourage you to give them all the support originally promised, to ensure that the channels that they are opening up between Victoria and Europe, remain open, viable and strong.
Regards
Marty Williams
MUSICAL : PERFORMER/ PRODUCER/ EVENT COORDINATOR
www.cousinleonard.com
www.myspace.com/martywilliamsmusic
www.thingreenline.org.au
Export Solutions put up a hand to save Great Australian Wave
Dear Minister Kosky,
My name is Lina Lamont and I work as an Export Grants Adviser for Export Solutions in Melbourne. I have gotten to know both Steve and Renate over the last year and have admired both their enthusiasm and commitment to their music as well as being a wealth of knowledge and support for many Artists who are new to the music scene. As you would know they have been preparing for The Great Australian Wave Tour for the past six months and have spent both time and money in the process. The decision of Arts Victoria to cancel the funding at this late stage is both disappointing and disheartening. From other correspondence you would know that PopKomm is not the only event that Australian Performers attend abroad (as it only goes for three days) but many others as well. Many Artists would find it very difficult if not impossible to organise such an event on their own and really need both the financial support as well organisation support (given by people such as Steve and Renate Iorio).
Can I ask you to please reconsider your decision to cut funding from this project not based on PopKomms’ cancellation but based on the other performances and valuable contacts that they are able to make from this trip.
Looking forward to hearing from you,
Kind regards,
Lina Lamont
Export Solutions Pty Ltd
Suite 512 / 566 St Kilda Road
Melbourne Victoria 3004
T: +61 (0) 3 9529 4888
F: +61 (0) 3 9529 5888
M: 0414 977 775
E: lina@exportsolutions.com.au
W: www.exportsolutions.com.au
My name is Lina Lamont and I work as an Export Grants Adviser for Export Solutions in Melbourne. I have gotten to know both Steve and Renate over the last year and have admired both their enthusiasm and commitment to their music as well as being a wealth of knowledge and support for many Artists who are new to the music scene. As you would know they have been preparing for The Great Australian Wave Tour for the past six months and have spent both time and money in the process. The decision of Arts Victoria to cancel the funding at this late stage is both disappointing and disheartening. From other correspondence you would know that PopKomm is not the only event that Australian Performers attend abroad (as it only goes for three days) but many others as well. Many Artists would find it very difficult if not impossible to organise such an event on their own and really need both the financial support as well organisation support (given by people such as Steve and Renate Iorio).
Can I ask you to please reconsider your decision to cut funding from this project not based on PopKomms’ cancellation but based on the other performances and valuable contacts that they are able to make from this trip.
Looking forward to hearing from you,
Kind regards,
Lina Lamont
Export Solutions Pty Ltd
Suite 512 / 566 St Kilda Road
Melbourne Victoria 3004
T: +61 (0) 3 9529 4888
F: +61 (0) 3 9529 5888
M: 0414 977 775
E: lina@exportsolutions.com.au
W: www.exportsolutions.com.au
Asleep in the Park's bass player Naomi, gives support to Great Australian Wave
Dear Minister Kosky
My name is Naomi Brockenshire and I am part of the Melbourne based band, Asleep in the Park.
Over the past few years we have worked closely with Steve and Renate Iorio (Blind Beatroot), both here in Australia and overseas, and I can honestly say they are two of the most generous, hard-working and genuine people to grace Australia’s music scene. Their integrity never wavers, their work ethic is astounding and their humanity is a rare thing to find in this hardest of industries. The rescinding of the Vic Rocks grant for the Great Australian Wave Showcase is an appalling decision by Arts Victoria and one that should be rectified.
Asleep in the Park was part of Blind Beatroot’s Great Australian Wave at the Popkomm Festival in Berlin last year. The whole event was extremely well organised and executed with huge crowds attending all three nights, not a small achievement given that there were over 400 bands playing at Popkomm last year. It was an amazing experience and one that yielded some important results for my band.
Steve and Renate have time and again proven themselves to be an asset to the Victorian music industry, both as musicians and by helping other musicians. There are not too many people who can make such a claim. The government should be nurturing such individuals not punishing them. This money can and will make a significant difference in the life of those bands signed on to the Great Australian Wave. To deny them this money after granting it is outrageous. I urge you to give Steve and Renate the opportunity to prove the Victorian music industry, indeed the Australian music scene, has a future in Europe. Better yet show to them, and to all the tireless musicians out there, that hard work, dedication, persistence and generosity still have a place in our country.
I respectfully request that you direct Arts Victoria not to abandon the Great Australian Wave; the show will and must go on.
Yours sincerely
Naomi Brockenshire
My name is Naomi Brockenshire and I am part of the Melbourne based band, Asleep in the Park.
Over the past few years we have worked closely with Steve and Renate Iorio (Blind Beatroot), both here in Australia and overseas, and I can honestly say they are two of the most generous, hard-working and genuine people to grace Australia’s music scene. Their integrity never wavers, their work ethic is astounding and their humanity is a rare thing to find in this hardest of industries. The rescinding of the Vic Rocks grant for the Great Australian Wave Showcase is an appalling decision by Arts Victoria and one that should be rectified.
Asleep in the Park was part of Blind Beatroot’s Great Australian Wave at the Popkomm Festival in Berlin last year. The whole event was extremely well organised and executed with huge crowds attending all three nights, not a small achievement given that there were over 400 bands playing at Popkomm last year. It was an amazing experience and one that yielded some important results for my band.
Steve and Renate have time and again proven themselves to be an asset to the Victorian music industry, both as musicians and by helping other musicians. There are not too many people who can make such a claim. The government should be nurturing such individuals not punishing them. This money can and will make a significant difference in the life of those bands signed on to the Great Australian Wave. To deny them this money after granting it is outrageous. I urge you to give Steve and Renate the opportunity to prove the Victorian music industry, indeed the Australian music scene, has a future in Europe. Better yet show to them, and to all the tireless musicians out there, that hard work, dedication, persistence and generosity still have a place in our country.
I respectfully request that you direct Arts Victoria not to abandon the Great Australian Wave; the show will and must go on.
Yours sincerely
Naomi Brockenshire
Fair Go for Great Australian Wave
Greetings Lynne,
I have been informed that recently Arts Victoria withdrew a grant which was already APPROVED for a very talented and enthusiastic promoter of musicians/bands from Victoria. I have worked with Steve Iorio before on matters of band bookings/mgmt and touring and am appalled that this grant has been revoked. He truly works very hard in organizing and promoting music without recieving any financial assistance whatsoever, and to finally get some recognition and help, then finds the rug pulled out from under him. At this point in time, I believe he has now lost many thousands of dollars in promoting acts going to Popkomm in Germany this year. So what if Popkomm gets cancelled. The musicians will still go and play their other dates which they, and Steve, have booked.
I ask you to reconsider the decision and give Steve back what he has so passionately fought for....a fair go for promoting Victorian artists!
Regards,
I have been informed that recently Arts Victoria withdrew a grant which was already APPROVED for a very talented and enthusiastic promoter of musicians/bands from Victoria. I have worked with Steve Iorio before on matters of band bookings/mgmt and touring and am appalled that this grant has been revoked. He truly works very hard in organizing and promoting music without recieving any financial assistance whatsoever, and to finally get some recognition and help, then finds the rug pulled out from under him. At this point in time, I believe he has now lost many thousands of dollars in promoting acts going to Popkomm in Germany this year. So what if Popkomm gets cancelled. The musicians will still go and play their other dates which they, and Steve, have booked.
I ask you to reconsider the decision and give Steve back what he has so passionately fought for....a fair go for promoting Victorian artists!
Regards,
German Promoter, Veiws on Great Aus. Wave and The Vagrants
To whom it may concern,
my name is Anja Blume. My team of popkillazz presents has worked with the great Australian band called The Vagrants for the last 2 years. We achieved a lot and the interest in the band is getting bigger and bigger.
We have heard that you pulled the funds from the project "The Great Australian Wave" since the Popkomm was cancelled. We think it is the absolutely wrong approach. All bands involved put a lot of money, time and effort into this project but not only that they put in their HOPE for a better future for their music and the general presentation of Australian music in Europe. We see the Australian music growing all around Europe. We truely believe in this concept and all the organisers of this great project and we hope you do as well.
The Popkomm would have been a great opportunity for everyone but there are more and others. We are more than willing to help and support as many showcases as we can once the bands arrive. Please rethink the issue and give your support.
With best regards, Anja Blume
my name is Anja Blume. My team of popkillazz presents has worked with the great Australian band called The Vagrants for the last 2 years. We achieved a lot and the interest in the band is getting bigger and bigger.
We have heard that you pulled the funds from the project "The Great Australian Wave" since the Popkomm was cancelled. We think it is the absolutely wrong approach. All bands involved put a lot of money, time and effort into this project but not only that they put in their HOPE for a better future for their music and the general presentation of Australian music in Europe. We see the Australian music growing all around Europe. We truely believe in this concept and all the organisers of this great project and we hope you do as well.
The Popkomm would have been a great opportunity for everyone but there are more and others. We are more than willing to help and support as many showcases as we can once the bands arrive. Please rethink the issue and give your support.
With best regards, Anja Blume
Australian Trade Commission, Germany, Arts Vic funding pulled
Dear Minister Kosky,
my name is Stefan Jedele and I work for the Australian Trade Commission in Frankfurt. In my role I am responsible for music in Germany, Austria and Switzerland - this included organising the Australian national stand and match makings at events like Popkomm over the last four years.
I have known Steve and Renate Iorio from Blind Beatroot for more than four years now and seen them grow their own band tours substantially over this time. For the last two years Steve and Renate have successfully organised showcases for both their own band (The Vagrants) as well as for other Australian - and in most cases Victorian - bands without receiving compensation or grants. Last year's three-night Great Australian Wave at Popkomm was certainly a highlight and very well received by not only the Popkomm organisors but also by the German and international music industry. Popkomm festival organiser Dirk Schade raved about Steve and Renate's professionalism, agents and label people commented on the high quality of the musical acts which they "do not always witness at other country showcases" (Mick Koeppe, A.S.S. Concerts). Blind Beatroot has also organised a number of Australian showcases outside of Popkomm - in other German cities and also in the Netherlands.
While the Popkomm cancellation is a sad thing one must acknowledge that Berlin is not THE music capital of Germany as one may perceive LA or New York to be for the US. Instead labels, publishers, agents etc are spread across five major cities (Berlin, Hamburg, Cologne, Munich and Frankfurt) and also across many other smaller cities, e.g. Stuttgart and Mannheim. While having these few hubs, the German music industry is still rather decentralised - something you can see in almost any industry sector in Germany. One can find many world class companies in small country towns (e.g. the boutique label Bear Family Records or "heavy metal heaven" Nuclear Blast). What I am trying to get to is that it may well be more effective to have one Australian showcase in each of the mentioned five major cities than having three showcase nights at Popkomm.
At Popkomm there are more than 400 bands playing in 32 clubs over three nights - the chance to 'drag' a substantial number of agents or label people to your concert is much smaller than if you have a one-night stand alone showcase in each of the five cities. FYI, over the last years several other countries have successfully organised road shows outside of Popkomm to showcase new talent (e.g. France, Finland, UK and lately Iceland!!). Austrade could also be of assistance and try to arrange meetings on behalf of the participating bands, invite contacts to the showcases and help with promotion.
Personally I think that while the Popkomm cancelation is sad, Steve and Renate's plan to organise an Australia road show is a fantastic idea and I can only admire their positive spirit. They have been preparing for the 2009 Great Australian Wave for more than six months now, investing both money and a substantial amount of time and I think it should be in the interest of everyone to make the event happen in the new format. I believe that if we all combine forces The Great Australian Wave Roadshow will be highly successful.
I would be happy to answer any questions you may have about the German music industry, previous Popkomms, my work in the music sector, etc.
Best regards,
Stefan Jedele
Stefan Jedele
Marketing Assistant
------------------------------------------------------------------------------------
Australian Trade Commission (Austrade)
Australian Consulate General
Maintower, Level 28
Neue Mainzer Str. 52-58
60311 Frankfurt am Main
Germany
Tel: +49 (0) 69 90558114
Mob: +49(0) 170-5715784
Fax: +49 (0) 69 90558119
Forfurther information on Austrade's services visit:
http://www.austrade.de
http://www.austrade.gov.au
http://www.musik.australische-kultur.de
my name is Stefan Jedele and I work for the Australian Trade Commission in Frankfurt. In my role I am responsible for music in Germany, Austria and Switzerland - this included organising the Australian national stand and match makings at events like Popkomm over the last four years.
I have known Steve and Renate Iorio from Blind Beatroot for more than four years now and seen them grow their own band tours substantially over this time. For the last two years Steve and Renate have successfully organised showcases for both their own band (The Vagrants) as well as for other Australian - and in most cases Victorian - bands without receiving compensation or grants. Last year's three-night Great Australian Wave at Popkomm was certainly a highlight and very well received by not only the Popkomm organisors but also by the German and international music industry. Popkomm festival organiser Dirk Schade raved about Steve and Renate's professionalism, agents and label people commented on the high quality of the musical acts which they "do not always witness at other country showcases" (Mick Koeppe, A.S.S. Concerts). Blind Beatroot has also organised a number of Australian showcases outside of Popkomm - in other German cities and also in the Netherlands.
While the Popkomm cancellation is a sad thing one must acknowledge that Berlin is not THE music capital of Germany as one may perceive LA or New York to be for the US. Instead labels, publishers, agents etc are spread across five major cities (Berlin, Hamburg, Cologne, Munich and Frankfurt) and also across many other smaller cities, e.g. Stuttgart and Mannheim. While having these few hubs, the German music industry is still rather decentralised - something you can see in almost any industry sector in Germany. One can find many world class companies in small country towns (e.g. the boutique label Bear Family Records or "heavy metal heaven" Nuclear Blast). What I am trying to get to is that it may well be more effective to have one Australian showcase in each of the mentioned five major cities than having three showcase nights at Popkomm.
At Popkomm there are more than 400 bands playing in 32 clubs over three nights - the chance to 'drag' a substantial number of agents or label people to your concert is much smaller than if you have a one-night stand alone showcase in each of the five cities. FYI, over the last years several other countries have successfully organised road shows outside of Popkomm to showcase new talent (e.g. France, Finland, UK and lately Iceland!!). Austrade could also be of assistance and try to arrange meetings on behalf of the participating bands, invite contacts to the showcases and help with promotion.
Personally I think that while the Popkomm cancelation is sad, Steve and Renate's plan to organise an Australia road show is a fantastic idea and I can only admire their positive spirit. They have been preparing for the 2009 Great Australian Wave for more than six months now, investing both money and a substantial amount of time and I think it should be in the interest of everyone to make the event happen in the new format. I believe that if we all combine forces The Great Australian Wave Roadshow will be highly successful.
I would be happy to answer any questions you may have about the German music industry, previous Popkomms, my work in the music sector, etc.
Best regards,
Stefan Jedele
Stefan Jedele
Marketing Assistant
------------------------------------------------------------------------------------
Australian Trade Commission (Austrade)
Australian Consulate General
Maintower, Level 28
Neue Mainzer Str. 52-58
60311 Frankfurt am Main
Germany
Tel: +49 (0) 69 90558114
Mob: +49(0) 170-5715784
Fax: +49 (0) 69 90558119
Forfurther information on Austrade's services visit:
http://www.austrade.de
http://www.austrade.gov.au
http://www.musik.australische-kultur.de
Sunday, June 28, 2009
Undercover.com.au - Your Daily Music Fix
www.undercover.com.au - Your Daily Music Fix
Arts Victoria Withdraws Funding For The Great Australian Wave
by Paul Cashmere - June 25 2009
photo by Ros O'Gorman
Around a dozen Australian acts will be out of pocket because Arts Victoria has withdrawn its funding for The Great Australian Wave showcases for Europe in September.
As a result of the approval for the funding on June 10th, granted in writing by the Minster for the Arts Lynne Kosky MP, Australian artists booked non-refundable airfares for the trip days before the Popkomm music conference was cancelled.
While Popkomm was the reason for timing of the trip, the Great Australian Wave planned to showcase various Aussie acts around Europe.
Last Friday, Popkomm announced that their event in Berlin this year had been cancelled just over a week after the acts heard about their funding.
Arts Victoria had agreed to kick in $10,000 for the trip. Regardless of the Popkomm cancelation, the acts were still committed to the trip to make good other dates.
“I personally think that the risk to bands, and their futures are at stake here,” organiser Steve Iorio said in a statement. “I also believe that since private individuals like Stephen, Renate and all the Aussie bands that have started spending money that was promised in the grant approval letter from the office from the Minister for the Arts, Lynne Kosky MP dated on June 10th, that the Minister should live up to the promise, and signature, and help with what may seem like not much money to a government, $10,000, but is a serious lifeline for a battling musician who has already committed money to promote be at an event”.
Steve and Renate Iorio moderated the trip last year for Australian acts and had been working on the 2009 event for 9 months.
“Since many people and bands have already put out money for flight tickets, rental, publicity and so much time and energy on the planning and logistics there was really no turning back,” he said. “The only problem is now Arts Victoria (Vic Rocks) is pulling the funding that was promised to help all the Aussie acts!!! This doesn’t mean we will quit, NO WAY. The show definitely will go on. This does mean that we will have a much, much harder time of publicizing the tour and getting the professional equipment and personnel to make the event as successful as it might be”.
With thanks to Steve and Renate, Australian acts have been able to use their resources to secure management, booking agents, record companies, distribution, publishing, promoters and contacts in Europe.
The trouble now is the turn-around, Steve Iorio applied to Arts Victoria for the funding on March 1st and only found out he was successful a few weeks back. There is not enough time to go through the process of a completely new application.
Arts Victoria does a magnificent job of supporting Australian talent in the global environment. The decision to withdraw the funding because of the cancelation of Popkomm will unfortunately will have the complete opposite effect on the artists they are their to support.
Arts Victoria Withdraws Funding For The Great Australian Wave
by Paul Cashmere - June 25 2009
photo by Ros O'Gorman
Around a dozen Australian acts will be out of pocket because Arts Victoria has withdrawn its funding for The Great Australian Wave showcases for Europe in September.
As a result of the approval for the funding on June 10th, granted in writing by the Minster for the Arts Lynne Kosky MP, Australian artists booked non-refundable airfares for the trip days before the Popkomm music conference was cancelled.
While Popkomm was the reason for timing of the trip, the Great Australian Wave planned to showcase various Aussie acts around Europe.
Last Friday, Popkomm announced that their event in Berlin this year had been cancelled just over a week after the acts heard about their funding.
Arts Victoria had agreed to kick in $10,000 for the trip. Regardless of the Popkomm cancelation, the acts were still committed to the trip to make good other dates.
“I personally think that the risk to bands, and their futures are at stake here,” organiser Steve Iorio said in a statement. “I also believe that since private individuals like Stephen, Renate and all the Aussie bands that have started spending money that was promised in the grant approval letter from the office from the Minister for the Arts, Lynne Kosky MP dated on June 10th, that the Minister should live up to the promise, and signature, and help with what may seem like not much money to a government, $10,000, but is a serious lifeline for a battling musician who has already committed money to promote be at an event”.
Steve and Renate Iorio moderated the trip last year for Australian acts and had been working on the 2009 event for 9 months.
“Since many people and bands have already put out money for flight tickets, rental, publicity and so much time and energy on the planning and logistics there was really no turning back,” he said. “The only problem is now Arts Victoria (Vic Rocks) is pulling the funding that was promised to help all the Aussie acts!!! This doesn’t mean we will quit, NO WAY. The show definitely will go on. This does mean that we will have a much, much harder time of publicizing the tour and getting the professional equipment and personnel to make the event as successful as it might be”.
With thanks to Steve and Renate, Australian acts have been able to use their resources to secure management, booking agents, record companies, distribution, publishing, promoters and contacts in Europe.
The trouble now is the turn-around, Steve Iorio applied to Arts Victoria for the funding on March 1st and only found out he was successful a few weeks back. There is not enough time to go through the process of a completely new application.
Arts Victoria does a magnificent job of supporting Australian talent in the global environment. The decision to withdraw the funding because of the cancelation of Popkomm will unfortunately will have the complete opposite effect on the artists they are their to support.
Letters of Support, Popkomm, Great Aus Wave
Dear All,
Popkomm was not supported by Austrade this year and it appears even the new Australian Music Industry representative was not going. Ozco ?????
I don't know what the problem was but the cancellation crystalized the threads of indifference. Steve was the only muscle being exerted re Popkomm.
So basically we are left with most governments supporting sxsw and not very much else, especially as a European focus; Midem a bit, but too up-market.
Clearly, the manner in which this problem has evolved has been poorly handled.
In this specific instance where people have worked hard, made sacrifices and put their money where their mouth was, have already done the preparation hard yards, else they would not have been a position to get a grant; it's a disgrace.
I'd actually like to see the contract in relation to the grant, as it might be interesting to see what legal right they have to do what they have done.
All in all it provides further evidence that governments and the other mob who have held the controls and levers of International Industry development and funding are all over the place and sloppy administrators.
Each state does what it likes, the feds the same and the winners are the old boy's club who offer little, hardly acquit themselves and call themselves 'peers'.
Their idea of having one person representing us all but controlled by them under such circumstances of state and federal government support is all the more galling.
Objective coordination and support is the answer, but in order to reach this stage we need to stop the Sydneycentric control of our Industry and ensure that sloppy government investment isn't all over the shop as indicated by this symptom.
We can make noises and be sure that if we do the idea of ever getting funding again fades, as we know. There is no one with any balls who is interested in getting this right and as such Industry development suffers.
We have to vault the ones who 'follow orders' and get to the pollies on a member by member basis, hopefully to the minister.
If we come from the corner of understanding and assistance we would be better off. If we go at it head on perhaps we would receive a lesser outcome.
We need to use both tools conversation and saber rattling I feel.
We will have to have a meeting to discuss our options, email will only work for certain views and is a pretty slow way to get ideas concreted.
Just my ideas and opinions, off the top of my dome ..
Popkomm was not supported by Austrade this year and it appears even the new Australian Music Industry representative was not going. Ozco ?????
I don't know what the problem was but the cancellation crystalized the threads of indifference. Steve was the only muscle being exerted re Popkomm.
So basically we are left with most governments supporting sxsw and not very much else, especially as a European focus; Midem a bit, but too up-market.
Clearly, the manner in which this problem has evolved has been poorly handled.
In this specific instance where people have worked hard, made sacrifices and put their money where their mouth was, have already done the preparation hard yards, else they would not have been a position to get a grant; it's a disgrace.
I'd actually like to see the contract in relation to the grant, as it might be interesting to see what legal right they have to do what they have done.
All in all it provides further evidence that governments and the other mob who have held the controls and levers of International Industry development and funding are all over the place and sloppy administrators.
Each state does what it likes, the feds the same and the winners are the old boy's club who offer little, hardly acquit themselves and call themselves 'peers'.
Their idea of having one person representing us all but controlled by them under such circumstances of state and federal government support is all the more galling.
Objective coordination and support is the answer, but in order to reach this stage we need to stop the Sydneycentric control of our Industry and ensure that sloppy government investment isn't all over the shop as indicated by this symptom.
We can make noises and be sure that if we do the idea of ever getting funding again fades, as we know. There is no one with any balls who is interested in getting this right and as such Industry development suffers.
We have to vault the ones who 'follow orders' and get to the pollies on a member by member basis, hopefully to the minister.
If we come from the corner of understanding and assistance we would be better off. If we go at it head on perhaps we would receive a lesser outcome.
We need to use both tools conversation and saber rattling I feel.
We will have to have a meeting to discuss our options, email will only work for certain views and is a pretty slow way to get ideas concreted.
Just my ideas and opinions, off the top of my dome ..
Letter, Great Australian Wave, Arts Vic, Vic Rocks
This apparently capricious behaviour is what undermines everyone's confidence in any system alleging to support the contemporary arts. These sods want the press release moment and the media coverage but not the bad PR when they drop the ball.
The bureaucratic response to the inquiry is regrettably typical.
Perhaps an FOI application would be timely.
Definitely the local Federal Member should be alerted and asked to ask a question either in parliament or within the Departme
The bureaucratic response to the inquiry is regrettably typical.
Perhaps an FOI application would be timely.
Definitely the local Federal Member should be alerted and asked to ask a question either in parliament or within the Departme
Australian Trade Commission, Germany, Arts Vic funding pulled
Dear Minister Kosky,
my name is Stefan Jedele and I work for the Australian Trade Commission in Frankfurt. In my role I am responsible for music in Germany, Austria and Switzerland - this included organising the Australian national stand and match makings at events like Popkomm over the last four years.
I have known Steve and Renate Iorio from Blind Beatroot for more than four years now and seen them grow their own band tours substantially over this time. For the last two years Steve and Renate have successfully organised showcases for both their own band (The Vagrants) as well as for other Australian - and in most cases Victorian - bands without receiving compensation or grants. Last year's three-night Great Australian Wave at Popkomm was certainly a highlight and very well received by not only the Popkomm organisors but also by the German and international music industry. Popkomm festival organiser Dirk Schade raved about Steve and Renate's professionalism, agents and label people commented on the high quality of the musical acts which they "do not always witness at other country showcases" (Mick Koeppe, A.S.S. Concerts). Blind Beatroot has also organised a number of Australian showcases outside of Popkomm - in other German cities and also in the Netherlands.
While the Popkomm cancellation is a sad thing one must acknowledge that Berlin is not THE music capital of Germany as one may perceive LA or New York to be for the US. Instead labels, publishers, agents etc are spread across five major cities (Berlin, Hamburg, Cologne, Munich and Frankfurt) and also across many other smaller cities, e.g. Stuttgart and Mannheim. While having these few hubs, the German music industry is still rather decentralised - something you can see in almost any industry sector in Germany. One can find many world class companies in small country towns (e.g. the boutique label Bear Family Records or "heavy metal heaven" Nuclear Blast). What I am trying to get to is that it may well be more effective to have one Australian showcase in each of the mentioned five major cities than having three showcase nights at Popkomm.
At Popkomm there are more than 400 bands playing in 32 clubs over three nights - the chance to 'drag' a substantial number of agents or label people to your concert is much smaller than if you have a one-night stand alone showcase in each of the five cities. FYI, over the last years several other countries have successfully organised road shows outside of Popkomm to showcase new talent (e.g. France, Finland, UK and lately Iceland!!). Austrade could also be of assistance and try to arrange meetings on behalf of the participating bands, invite contacts to the showcases and help with promotion.
Personally I think that while the Popkomm cancelation is sad, Steve and Renate's plan to organise an Australia road show is a fantastic idea and I can only admire their positive spirit. They have been preparing for the 2009 Great Australian Wave for more than six months now, investing both money and a substantial amount of time and I think it should be in the interest of everyone to make the event happen in the new format. I believe that if we all combine forces The Great Australian Wave Roadshow will be highly successful.
I would be happy to answer any questions you may have about the German music industry, previous Popkomms, my work in the music sector, etc.
Best regards,
my name is Stefan Jedele and I work for the Australian Trade Commission in Frankfurt. In my role I am responsible for music in Germany, Austria and Switzerland - this included organising the Australian national stand and match makings at events like Popkomm over the last four years.
I have known Steve and Renate Iorio from Blind Beatroot for more than four years now and seen them grow their own band tours substantially over this time. For the last two years Steve and Renate have successfully organised showcases for both their own band (The Vagrants) as well as for other Australian - and in most cases Victorian - bands without receiving compensation or grants. Last year's three-night Great Australian Wave at Popkomm was certainly a highlight and very well received by not only the Popkomm organisors but also by the German and international music industry. Popkomm festival organiser Dirk Schade raved about Steve and Renate's professionalism, agents and label people commented on the high quality of the musical acts which they "do not always witness at other country showcases" (Mick Koeppe, A.S.S. Concerts). Blind Beatroot has also organised a number of Australian showcases outside of Popkomm - in other German cities and also in the Netherlands.
While the Popkomm cancellation is a sad thing one must acknowledge that Berlin is not THE music capital of Germany as one may perceive LA or New York to be for the US. Instead labels, publishers, agents etc are spread across five major cities (Berlin, Hamburg, Cologne, Munich and Frankfurt) and also across many other smaller cities, e.g. Stuttgart and Mannheim. While having these few hubs, the German music industry is still rather decentralised - something you can see in almost any industry sector in Germany. One can find many world class companies in small country towns (e.g. the boutique label Bear Family Records or "heavy metal heaven" Nuclear Blast). What I am trying to get to is that it may well be more effective to have one Australian showcase in each of the mentioned five major cities than having three showcase nights at Popkomm.
At Popkomm there are more than 400 bands playing in 32 clubs over three nights - the chance to 'drag' a substantial number of agents or label people to your concert is much smaller than if you have a one-night stand alone showcase in each of the five cities. FYI, over the last years several other countries have successfully organised road shows outside of Popkomm to showcase new talent (e.g. France, Finland, UK and lately Iceland!!). Austrade could also be of assistance and try to arrange meetings on behalf of the participating bands, invite contacts to the showcases and help with promotion.
Personally I think that while the Popkomm cancelation is sad, Steve and Renate's plan to organise an Australia road show is a fantastic idea and I can only admire their positive spirit. They have been preparing for the 2009 Great Australian Wave for more than six months now, investing both money and a substantial amount of time and I think it should be in the interest of everyone to make the event happen in the new format. I believe that if we all combine forces The Great Australian Wave Roadshow will be highly successful.
I would be happy to answer any questions you may have about the German music industry, previous Popkomms, my work in the music sector, etc.
Best regards,
Forward letter to Arts Vic, Minister for Arts Lynne Kosky
Hi All,
Calling in for a bit of a favour here....
A friend of mine, Steve Iorio organises the Australian Showcase at Germany's Popkomm Music Industry Festival known as the 'Great Australian Wave.'
A Music Industry event much like South By South West in Austin, Texas. This year, due to many factors including the international financial climate' Popkomm has essentially been cancelled.
Steve and the many Australian bands booked to attend Popkomm this year had already outlayed a lot of time and big dollars for air fares, accomodation, promotion and the like and so decided to continue with the trip abroad in the form of an all-Australian musical / promotional road show. Steve and his partner Renate, like always, poured there time and expertise into ensuring this new plans success.
Unfortunately, at this point Arts Victoria decided to drop the bombshell that they would be withdrawing their funding, leaving the Great Australian Wave financially stranded.
Steve has asked if I, and any musicians I know could email the relevent powers that be to consider re-instating the previously granted funding so the Great Australian Wave can go forward with it's promotion of Australian music in Europe.
Please follow the linke below for more information and see the email I sent below for some inspiration. Please forward onto anyone else who you think might be interested in helping.
http://www.blindbeatroot.blogspot.com/
Write too:
Minister for the Art (state of Victoria)"The Hon. Lynn Kosky"
lynne.kosky@parliament.vic.gov.au
Ms Penny Hutchinson Director of Arts Victoria
penny.hutchinson@dpc.vic.gov.au
Jonathan Williamson, Vic Rock (branch of Arts Victoria)
jonathan.williamson@dpc.vic.gov.au
Regards,
Calling in for a bit of a favour here....
A friend of mine, Steve Iorio organises the Australian Showcase at Germany's Popkomm Music Industry Festival known as the 'Great Australian Wave.'
A Music Industry event much like South By South West in Austin, Texas. This year, due to many factors including the international financial climate' Popkomm has essentially been cancelled.
Steve and the many Australian bands booked to attend Popkomm this year had already outlayed a lot of time and big dollars for air fares, accomodation, promotion and the like and so decided to continue with the trip abroad in the form of an all-Australian musical / promotional road show. Steve and his partner Renate, like always, poured there time and expertise into ensuring this new plans success.
Unfortunately, at this point Arts Victoria decided to drop the bombshell that they would be withdrawing their funding, leaving the Great Australian Wave financially stranded.
Steve has asked if I, and any musicians I know could email the relevent powers that be to consider re-instating the previously granted funding so the Great Australian Wave can go forward with it's promotion of Australian music in Europe.
Please follow the linke below for more information and see the email I sent below for some inspiration. Please forward onto anyone else who you think might be interested in helping.
http://www.blindbeatroot.blogspot.com/
Write too:
Minister for the Art (state of Victoria)"The Hon. Lynn Kosky"
lynne.kosky@parliament.vic.gov.au
Ms Penny Hutchinson Director of Arts Victoria
penny.hutchinson@dpc.vic.gov.au
Jonathan Williamson, Vic Rock (branch of Arts Victoria)
jonathan.williamson@dpc.vic.gov.au
Regards,
Great Australian Wave, Political Storm Erupting
Dear Johnathan, Lynne and Penny,
RE: Arts Victoria Funding for the Great Australian Wave
It has come to my attention that funding for the 'Great Australian Wave' as organised by Steve and Renate Iorio has been pulled amid cancellation of the Popkomm festival.
I am sure you are well aware of the work that Steve and Renate have done through Blind Beatroot, and the ongoing benefits that Australian musicians will reap from there ongoing commitment to nuturing the local Australian music scene. As a working musician myself, I have experienced first hand the selfless assistance offered by Steve and Renate and wish to pay back in kind the support thay have offered me.
I would like to add my voice to the chorus of concerned musicians calling for the re-instatement of funding to the great Australian Wave. The flow on effect from maintaining a yearly Australian presence in Europe through events such as the road show planned in lieu of Popkomm could be felt by Australian musicians for years to come. Please give Australian musicians and Blind Beatroot the chance to maintain such a presence and continue exposing Australian music to European audiences.
Regards,
Daniel XXXX
RE: Arts Victoria Funding for the Great Australian Wave
It has come to my attention that funding for the 'Great Australian Wave' as organised by Steve and Renate Iorio has been pulled amid cancellation of the Popkomm festival.
I am sure you are well aware of the work that Steve and Renate have done through Blind Beatroot, and the ongoing benefits that Australian musicians will reap from there ongoing commitment to nuturing the local Australian music scene. As a working musician myself, I have experienced first hand the selfless assistance offered by Steve and Renate and wish to pay back in kind the support thay have offered me.
I would like to add my voice to the chorus of concerned musicians calling for the re-instatement of funding to the great Australian Wave. The flow on effect from maintaining a yearly Australian presence in Europe through events such as the road show planned in lieu of Popkomm could be felt by Australian musicians for years to come. Please give Australian musicians and Blind Beatroot the chance to maintain such a presence and continue exposing Australian music to European audiences.
Regards,
Daniel XXXX
Please Explain, Popkomm Great Australina Wave, Arts Victoria funding denial
OK, this is a bit too much over the top for me... but seriously, I keep getting these letters. So I though I would forward one that doesn't have so much swearing in it.
Cheers,
Steve
--------------------------------------------
I am writing in relation as to what Arts Vic has done in regards to recindering an already signed contract to Blind Beatroot regarding Popkomm.
Yes, we all know popkomm has been cancelled but now the fact is, Bling Beetroot have maintained their promise that selected acts will still go to Europe to perform, they have rung around, gained venues and have promised acts they will still tour overseas,either way. Atleaset they are doing their bit for Australian Music.
Which brings me to Arts Vic and the Govt.
I am really sorry to say this but, I see who wins your grants, you fund absolute rubbish. Same names all the time, and theyre boring and do not provide anything substantial in the way of major scale success. Lets hold back the ones who could really make it big..Lets hold back the companies who are trying to make this work...is that your thought process?
Then a Company comes along, 'Blind Beetroot' who tierlessly and for quite a few years has got off their proverbials and worked so hard for International noteriety for our own Australian talent in a totally unconditional manner, with no funding or help and its still not enough for Arts Vic and Govt mentality.
It seems that no one even cares that this is about International success and economical strength in the long run. Not just running around Australia like some that you fund.
Im really sorry but you guys (Arts Vic) are so dodgey...Blind Beetroot are still providing International work and promotion for many Australian acts and you push them aside like a piece of parsley on your dinner plate. Do you see it as OK for people to try so hard to make things work? Do you see it as OK that you cancel the signed, sealed and delivered funding and then do not provide information of who decided to take it back to the general public?
It is not the point that popkomm is now cancelled, it is the point that Blind Beetroot are holding true their word of International work, and it seems Arts Vic are not even interested in the work they do for the musicians nor is it even respected or supported.
Seriously, get over yourselves....youre in this for the few, not the masses...This is obvious by the ones that you do fund....
Cheers,
Steve
--------------------------------------------
I am writing in relation as to what Arts Vic has done in regards to recindering an already signed contract to Blind Beatroot regarding Popkomm.
Yes, we all know popkomm has been cancelled but now the fact is, Bling Beetroot have maintained their promise that selected acts will still go to Europe to perform, they have rung around, gained venues and have promised acts they will still tour overseas,either way. Atleaset they are doing their bit for Australian Music.
Which brings me to Arts Vic and the Govt.
I am really sorry to say this but, I see who wins your grants, you fund absolute rubbish. Same names all the time, and theyre boring and do not provide anything substantial in the way of major scale success. Lets hold back the ones who could really make it big..Lets hold back the companies who are trying to make this work...is that your thought process?
Then a Company comes along, 'Blind Beetroot' who tierlessly and for quite a few years has got off their proverbials and worked so hard for International noteriety for our own Australian talent in a totally unconditional manner, with no funding or help and its still not enough for Arts Vic and Govt mentality.
It seems that no one even cares that this is about International success and economical strength in the long run. Not just running around Australia like some that you fund.
Im really sorry but you guys (Arts Vic) are so dodgey...Blind Beetroot are still providing International work and promotion for many Australian acts and you push them aside like a piece of parsley on your dinner plate. Do you see it as OK for people to try so hard to make things work? Do you see it as OK that you cancel the signed, sealed and delivered funding and then do not provide information of who decided to take it back to the general public?
It is not the point that popkomm is now cancelled, it is the point that Blind Beetroot are holding true their word of International work, and it seems Arts Vic are not even interested in the work they do for the musicians nor is it even respected or supported.
Seriously, get over yourselves....youre in this for the few, not the masses...This is obvious by the ones that you do fund....
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